critic

2016 End-of-Year Cramfest Capsules, Part II

rsz_film_hero_demon_01_1Monday, November 21

I Am Not Your Negro (Dir.: Raoul Peck; GRADE: B+)

Do not open until 2017.

Demon (Dir.: Marcin Wrona; GRADE: B-)

An admirable but only fitfully successful arthouse horror movie about a Polish wedding disrupted by a “dybbuk,” an angry and dissatisfied Jewish spirit that attaches itself to the Israeli groom.  As the groom’s behavior grows increasingly erratic and dangerous, exhuming not just ghosts but long-buried secrets of atrocities against the Jews, the father of the bride plies his guests with more and more vodka, and soon enough their bacchanal merges with the supernatural suffering.  Wrona favors disturbing compositions and shock cuts over long-winded explanations, but the final act still falls into a navel-gazing tailspin.

The Thoughts That Once We Had (Dir.: Thom Andersen; GRADE: B)

Another wide-ranging, thought-provoking documentary intersecting cinema, politics, philosophy and personal taste from the director of Los Angeles Plays Itself, only far less enveloping and focused an experience.  Andersen crafts a personal history of cinema through the lens of Gilles Deleuze, a French philosopher who often wrote about film.  I honestly can’t say that I grokked much of what Anderson laid down here, but I dug his rap all the same – it’s a pungently intellectual and marvelously curated cinematic journey.rsz_unsun

Jackie (Dir.: Pablo Larrain; GRADE: B-)

Do not open until December 21.  Check out my updated MVFF39 Power Rankings HERE.

Julieta (Dir.: Pedro Almodovar; GRADE: B-)

Do not open until 2017.  Check out my updated Pedro Almodovar Power Rankings HERE.

Under the Sun (Dir.: Vitaly Mansky; GRADE: B+)

Unbelievable.  When Ukrainian filmmaker Vitaly Mansky was given government permission to make a documentary about a typical North Korean family, he was followed round-the-clock by bureaucrats who monitored the production and tailored the script to glorify the country, but the b-roll footage smuggled out and fashioned into Under the Sun tells a different story.  North Korea is fascinating not just because it’s a Lynch-ian nightmare parody of fascism, but because it makes us think about how our own country is run in a subtly similar way: like a flashy cult filled with mindless rituals, spotlighting heroism and prosperity while the poor and exploited are rendered invisible.

Wednesday, November 23

Elle (Dir.: Paul Verhoeven; GRADE: B+)

rsz_the-waveDo not open until 2017.  Check out my updated Paul Verhoeven Power Rankings HERE.

Nerve (Dir.: Henry Joost and Ariel Schuman; GRADE: B-)

Reasonably entertaining idiocy, with Emma Roberts and Dave Franco as “players” in a game controlled by anonymous online “watchers” who push the participants into ever more embarrassing and dangerous stunts.  Think Pokemon Go meets truth or dare meets murder, directed by the “brains” behind Catfish.  It’s breathless and salacious enough to hold your interest, and while the film seems to shed IQ points as it hurtles towards a truly stupid finish, it’s still better than probably half the films that will get nominated for the Best Picture Oscar this year.

Finding Dory (Dir.: Andrew Stanton; GRADE: B)

Thoroughly unnecessary piffle, with a lot of narrative structural integrity issues and some obvious 11th-hour tinkering, but like last year’s similarly strained The Good Dinosaur, it’s pushed over by the usual expert Pixar craftsmanship.  The chameleonic octopus voiced by Ed O’Neill is the one element that unquestionably works, so he gets repeatedly shoehorned into scenes where his presence makes little sense, presumably filling in for excised storylines.  There are a few memorable setpieces, solid voice work and the usual cleverness and beauty you expect from Pixar – this isn’t a Cars 2-level embarrassment, but it’s pretty far from great.  Check out my updated Pixar Power Rankings HERE.rsz_les_saisons_galatee

Lion (Dir.: Garth Davis; GRADE: C)

Do not open until December 21.

Thursday, November 24

The Wave (Dir.: Roar Uthaug; GRADE: B-)

I’m obviously running low on viable screener options when I pop in a Norwegian disaster movie on Thanksgiving morning, but you go to war with the army you’ve got.  This was actually a pretty watchable facsimile of American disaster movies, with the emphasis placed on characters rather than carnage, even better than San Andreas if not for the absence of Alexandra Daddario.

Les Saisons (Dir.: Jacques Perrin and Jacques Cluzaud; GRADE: C+)

Perrin and Cluzaud previously collaborated on nature documentaries like Winged Migration and Oceans, and their strength has always been their ability to get close to their wildlife subjects without superimposing a contrived human narrative on the creatures.  That appreciation for beauty and persistence, and that restraint in the face of DisneyNature aggression, comes across once again in Les Saisons, although a heavy-handed framing device about man’s intrusion into the world’s timeline drags the film down.  There are some gorgeous individual images, but they all feel disconnected from the didacticism at the heart of this thing.

Friday, November 25

rsz_close-up_red_1The Love Witch (Dir.: Anna Biller; GRADE: C+)

This deliberately retrograde horror satire mimics the clothes and colors of 1960s Technicolor movies (even though the characters use cell phones), and the acting is extremely mannered and bad in a way that I can only assume is meant to evoke the same.  Biller’s film is getting a lot of love from critics, but I felt as alienated and annoyed by this cinematic re-appropriation as I have felt in the past about some of Guy Maddin’s movies…there’s an element of contemptuous superiority and intentional shittiness that I just can’t hurdle.

High-Rise ***REWATCH*** (Dir.: Ben Wheatley; GRADE: B+)

No significant insights or changes of opinion from my initial viewing of this pitch-black adaptation of J.G. Ballard’s satire on 1970’s capitalism and convenience.  In a weak year for award-worthy male acting performances, Tom Hiddleston’s sleek showing as the social-climbing Dr. Laing has a good shot of making my SFFCC and Indiewire ballots, while Luke Evans’ highly physical performance as the working-class Wilder still has an outside chance in the supporting actor category.

20th Century Women (Dir.: Mike Mills; GRADE: C)

Do not open until Xmas.rsz_hero_krisha-2016

Krisha ***REWATCH*** (Dir.: Trey Edward Shults; GRADE: A-)

Again, no real changes from my first viewing of this sucker-punch domestic drama.  Either cruelly compassionate or compassionately cruel, Krisha feels like the family dinner scene from Punch-Drunk Love developed into a full-length feature – the film practically vibrates with a nervous energy.  Shults shot the film in his parents’ house and used friends and family as actors, including his aunt Krisha Fairchild, who gives a devastatingly desperate performance in the title role.  Shults landed a two-picture deal with Krisha distributor A24, so it will be exciting to see what happens once he leaves the nest.

Look for Part III of my 2016 Cramfest Capsules sometime next week. You can read Part I of the 2016 Cramfest HERE, and check out my frequently updated 2016 Power Rankings HERE.

The Year in Barnesyard – 2016 Mid-Year Review

rsz_the-witch-movie-reviewTOP 10 FILMS OF 2016 SO FAR

1) Three

MY TAKE: “A genre-hopping blast, the anonymously named Three works as part solemn morality play and part gonzo white-knuckle thriller, part huge-hearted ensemble dramedy and part pitiless three-hander, with an almost unbearable escalation of tension that explodes into one of the most insane action sequences you’ll ever see.”

2) The Witch

MY TAKE: “Undeniably disturbing and strangely elegant, The Witch creates its horror with such care that the film may be over before you realize it’s a tour-de-force genre classic.”

3) 13 Hours: The Secret Soldiers of Benghazi

MY TAKE: “I always suspected that the Transformers movies might be kind of great if you just removed Shia LeBeouf and all of the sass-backing robots. Suspicions confirmed.”

4) Love & Friendship

rsz_11maxresdefaultMY TAKE: “There is an almost perfect overlap between the sensibilities of Stillman and Austen, to the point that all of Stillman’s previous New York-based films now feel like reverse-engineered Austen adaptations.”

5) April and the Extraordinary World

MY TAKE: “Pure enjoyment, but then I’ve always been in the bag for humanist sci-fi, lizards wearing robot armor, unusual and meticulous production design, and adventure stories where one of the heroes is a brainy woman and the other is a talking cat.”

6) High-Rise

MY TAKE: “High-Rise slices forward fearlessly, relentless in its narrative thrust and yet overflowing with show-stopping setpieces.  The effect is dazzling, although I should be noted that I’m a sucker for this sort of heavily stylized decadence and decay.”

7) Rams

MY TAKE: “Hákonarson’s last film was a documentary about an Icelandic country priest, and he brings the observational eye of a documentarian to Rams while exuding the quiet confidence of a natural storyteller.”

rsz_love-friendship-600x3738) My Golden Days

MY TAKE: “The details of the story aren’t particularly compelling, but Desplechin’s telling casts a spell that’s curiously thrilling, as the film seems to be constantly reinventing itself as it goes, mutating and evolving like an unpleasant memory.”

9) The Lobster

10) The Measure of a Man

MY TAKE: “Impotent resistance versus soul-sucking compliance in the bloody coliseum of capitalism; human dignity loses either way. ”

10 MORE GOOD ONES

Aferim!

Dheepan

Embrace of the Serpentrsz_johnnie-to-three-2016-zhao-wei-louis-koo

Fireworks Wednesday

The Jungle Book

Mountains May Depart

Neon Bull

Swiss Army Man

10 Cloverfield Lane

Tickled

TOP 10 2016 RELEASES THAT I STILL NEED TO SEE

rsz_960Cemetery of Splendor (GRADE: B+)

De Palma (GRADE: B)

Everybody Wants Some!! (GRADE: B)

Finding Dory (GRADE: B)

Knight of Cups (GRADE: B-)

Krisha (GRADE: A-)

O.J.: Made in America (GRADE: A-)

Only Yesterday (GRADE: A)

Right Now, Wrong Then (GRADE: B+)

Weiner (GRADE: B+)

rsz_hiddleston-xlarge_trans--3hvejul2wvjxejb3jwusshndml-fnbpvlkwcwvkdhwuAWARD-WORTHY PERFORMANCES

Teodor Corban, Aferim!

Ralph Fiennes and Tilda Swinton, A Bigger Splash

Sacha Baron Cohen, The Brothers Grimsby

Antonythasan Jesuthasan, Dheepan

Lea Seydoux, Diary of a Chambermaid

Antonio Bolívar, Embrace of the Serpent

Hedye Tehrani and Hami Farokhnezhad, Fireworks Wednesday

Geoffrey Rush, Gods of Egypt

Channing Tatum and Alden Ehrenreich, Hail, Caesar!

Sally Field, Hello, My Name is Doris

rsz_rams-cannes-film-festival-2Tom Hiddleston and Luke Evans, High-Rise

Tom Hanks, A Hologram for the King

Noah Emmerich, Jane Got a Gun

Ross Partridge and Oona Laurence, Lamb

Colin Farrell, Rachel Weisz, Lea Seydoux, Ben Whishaw, Angeliki Papoulia and John C. Reilly, The Lobster

Kate Beckinsale and Tom Bennett, Love & Friendship

Greta Gerwig, Maggie’s Plan

Kalki Koechlin, Margarita, with a Straw

Catherine Frot, Marguerite

rsz_the-lobsterVincent Lindon, The Measure of a Man

Susan Sarandon and J.K. Simmons, The Meddler

Michael Shannon and Kirsten Dunst, Midnight Special

Zhao Tao and Sylvia Chang, Mountains May Depart

Juliano Cazarré, Neon Bull

Keanu Reeves, The Neon Demon

Sigurður Sigurjónsson, Rams

Christopher Plummer, Remember

Agyness Deyn and Peter Mullan, Sunset Song

Paul Dano and Daniel Radcliffe, Swiss Army Man

Salma Hayek, Tale of Tales

John Goodman and Mary Elizabeth Winstead, 10 Cloverfield Lanersz_my-golden-years-cannes-film-festival-4

James Badge Dale and John Krasinski, 13 Hours: The Secret Soldiers of Benghazi

Wallace Chung, Wei Zhao and Louis Koo, Three

Woody Harrelson, Triple 9

Pilou Asbaek, A War

Anya Taylor-Joy, Ralph Ineson, Kate Dickie and Harvey Scrimshaw, The Witch

RELATED LETTERBOXD LISTS AND LINKS

Top 10 of 2016 Power Rankings

2016 Unranked

2016 Catchup

The Barnesyard’s 2015 Mid-Year Review

The Barnesyard’s Sacto/SF Now Playing Power Rankings (Feb. 26-Mar. 3)

index* = SF Bay Area only

OFFICIALLY BUMPED

*1) Anomalisa
2) Mad Max: Fury Road
*3) The Hateful Eight
4) The Witch
5) 45 Years
6) Son of Saul
*7) Carol
*8) Embrace of the Serpent
9) Room
*10) The Good Dinosaur
11) Where to Invade Next
12) Star Wars: Episode VII – The Force Awakens
13) Brooklyn
*14) The Club
*15) Boy and the World

MIXED-POSITIVE

index16) Creed
17) The Revenant
18) Hail, Caesar!
19) Ip Man 3
*20) A War
21) Triple 9
22) Spotlight

MIXED-NEGATIVE

23) The Lady in the Van
*24) Theeb

OFFICIALLY DUMPED) <

*25) The Martian
26) The Hunger Games: Mockingjay – Part 2
27) Gods of Egypt
28) The Danish Girl
29) The Big Short
*30) Joy
*31) Youth

indexHAVEN’T SEEN

Alvin and the Chipmunks 3
The Boy
The Choice
Deadpool
Dirty Grandpa
Eddie the Eagle
The 5th Wave
The Finest Hours
How to Be Single
*Ingrid Bergman/Her Own Words
*In the Shadow of Women
*Jack of the Red Hearts
Kung Fu Panda 3
*The Last Man on the Moon
Mein ren yu
Norm of the North
*Peggy Guggenheim: Art Addict
Pride & Prejudice & Zombies
Race
Ride Along 2
Risen
13 Hours: The Secret Soldiers…
*Who’s Driving Doug
Zoolander No. 2

These rankings are updated every Thursday, and they reflect only the opinion of Daniel Barnes. All films playing in Sacramento area theaters are listed, as well as most films playing exclusively in the S.F. Bay Area. Underlined films are on my catchup list.

The Barnesyard’s Now Playing Power Rankings (January 22-28, 2016)

index* = SF Bay Area only

OFFICIALLY BUMPED

1) Anomalisa (pictured)
2) The Hateful Eight
*3) Cartel Land
*4) Son of Saul
5) Carol
6) Bridge of Spies
*7) Mustang
*8) Janis: Little Girl Blue
9) Room
10) The Good Dinosaur
*11) Aferim! (pictured)
12) Star Wars: Episode VII – The Force Awakens
13) Brooklyn
*14) Hitchcock/Truffaut

MIXED-POSITIVE

index15) Creed
16) The Revenant
*17) Steve Jobs
*18) The Treasure
19) Spotlight
*20) Heart of a Dog

MIXED-NEGATIVE

21) Concussion
*22) Theeb

OFFICIALLY DUMPED

23) The Martian
24) The Hunger Games: Mockingjay – Part 2
25) The Danish Girl
26) The Big Short
27) Joy
*28) Trumbo
*29) Youth

indexHAVEN’T SEEN

*All Mistakes Buried
Alvin and the Chipmunks 3
*Band of Robbers
The Boy
*Chi-raq
Daddy’s Home
Dirty Grandpa
The 5th Wave (pictured)
The Forest
Hotel Transylvania 2
*Ip Man 3
Krampus
*The Lady in the Van
Norm of the North
The Peanuts Movie
Ride Along 2
Sisters
Spectre
13 Hours: The Secret Soldiers…

These rankings are updated every Thursday, and they reflect the opinion of Daniel Barnes only. All films playing in Sacramento area theaters are listed, as well as most films playing exclusively in the S.F. Bay Area. Underlined films are on my catchup list.

Daniel Barnes @ the SN&R – 12/3 and 12/10 issues

index*In this one-note adaptation of Macbeth, director Justin Kurzel and cinematographer Adam Arkapaw strive to balance heavily stylized visuals with a heavily intimate tone. Mostly, it’s just heavy. There’s a lot to like on a conceptual level, but the execution is monotonous, like Zack Snyder without the comic book zeal.

*A clever but clunky riff on the Mary Shelley classic, Victor Frankenstein possesses an ambition far beyond its range.

*After an excellent first half and an astonishing centerpiece fight sequence, Ryan Coogler’s Creed plummets into tired convention, proving just good enough to be disappointing.

The Barnesyard’s Now Playing Power Rankings (December 11-17, 2015)

images* = SF Bay Area only

OFFICIALLY BUMPED

*1) Jafar Panahi’s Taxi
*2) Carol
3) Bridge of Spies
*4) Janis: Little Girl Blue
*5) Sicario
6) Room
7) The Good Dinosaur
8) Brooklyn
*9) The Wonders
*10) Hitchcock/Truffaut

MIXED-POSITIVE

11) Creed
12) Spotlight
*13) Steve Jobs
index14) Legend
*15) Heart of a Dog
*16) Blind

MIXED-NEGATIVE

17) Macbeth
*18) Suffragette
19) Victor Frankenstein

OFFICIALLY DUMPED

20) The Martian
21) The Hunger Games: Mockingjay – Part 2
*22) The Big Short
*23) The Danish Girl
24) In the Heart of the Sea
*25) Truth
26) The 33
27) Trumbo
*28) Youth

imagesHAVEN’T SEEN

*Bleeding Heart
*Chi-raq
Goosebumps
Hotel Transylvania 2
The Intern
Krampus
The Last Witch Hunter
The Letters
Love the Coopers
Maze Runner: The Scorch Trials
*Meet the Patels
Minions
The Night Before
Pan
The Peanuts Movie
*The Pearl Button
*Peggy Guggenheim: Art Addict
A Royal Night Out
Secret in Their Eyes
Spectre

These rankings are updated every Thursday, and they reflect the opinion of Daniel Barnes only. All films playing in Sacramento area theaters are listed, as well as most films playing exclusively in the S.F. Bay Area. Underlined films are on my 2015 catchup list.